A Characterisation of the Protrusions on Liu Kang’s Boat scene (1974) from the National Gallery Singapore

Bibliographic Details
Title: A Characterisation of the Protrusions on Liu Kang’s Boat scene (1974) from the National Gallery Singapore
Authors: Damian Lizun, Teresa Kurkiewicz
Source: Heritage, Vol 7, Iss 6, Pp 2811-2833 (2024)
Publisher Information: MDPI AG, 2024.
Publication Year: 2024
Collection: LCC:Archaeology
Subject Terms: paint contamination, pigments, metal soaps, Liu Kang, FE-SEM-EDS, ATR μ-FTIR, Archaeology, CC1-960
More Details: This paper investigates the oil on canvas painting Boat scene (1974) by Liu Kang (1911–2004), belonging to the National Gallery Singapore (NGS). The focus is on disfiguring paint protrusions in a specific area and colour in the composition. Moreover, in search of the possible factors responsible for the creation of the protrusions, the structure and composition of the paint layers were determined. Three possible reasons were put forward to explain this phenomenon: deliberate textural effects, the expansion of metal soaps and unintentional paint contamination during the artistic process. Investigative techniques such as technical photography, digital microscopy, optical microscopy (OM), polarised light microscopy (PLM), field emission scanning electron microscope (FE-SEM-EDS) and attenuated total reflectance micro-Fourier transform infrared spectroscopy (ATR μ-FTIR) were employed to analyse paint layers, including protrusion samples. The analyses revealed that the protrusions resulted from an unintentional contamination of the oil paint during the artistic process by dry fragments of different pigment mixtures bound in drying oil. Zinc soaps were found in significant concentrations within the protrusions and other parts of the painted scene. Nevertheless, the metal soaps do not pose a direct risk to the integrity of the paint layers at the time of this research. The analyses highlight the potential challenges caused by the protrusions that conservators may face while caring for the painting. The research contributes to our ongoing comprehension of the artist’s working process.
Document Type: article
File Description: electronic resource
Language: English
ISSN: 2571-9408
Relation: https://www.mdpi.com/2571-9408/7/6/133; https://doaj.org/toc/2571-9408
DOI: 10.3390/heritage7060133
Access URL: https://doaj.org/article/3041deabee8d47e995a92a8397dc8ef6
Accession Number: edsdoj.3041deabee8d47e995a92a8397dc8ef6
Database: Directory of Open Access Journals
More Details
ISSN:25719408
DOI:10.3390/heritage7060133
Published in:Heritage
Language:English