The construction of 'Jacques Becker': realism, popular film and the auteur in 1950s film criticism.
| Title: | The construction of 'Jacques Becker': realism, popular film and the auteur in 1950s film criticism. |
|---|---|
| Authors: | Leahy, Sarah1 (AUTHOR) sarah.leahy@newcastle.ac.uk |
| Source: | French Screen Studies. Feb-May2025, Vol. 25 Issue 1/2, p160-179. 20p. |
| Subject Terms: | *FILM criticism, *MOTION picture actors & actresses, *REALISM, *AESTHETICS, *DISCOURSE |
| Abstract: | Jacques Becker is well known as an auteur, one of the few French directors working in the post-war period who has been hailed as an 'uncle' of the New Wave (alongside Robert Bresson, Max Ophuls, Jean-Pierre Melville and Jacques Tati). This article positions him in relation to the 'quality' and popular cinema of the period through an exploration of the critical discourses that coalesce around his films. Becker embraced an auteurist conception of cinema but operated in an industry that was dominated by a commercial, quality cinema of international co-productions, stars and films destined for export. Drawing on articles from both the specialist and general press, this article explores the construction of Becker as an auteur at the very moment when the politique des auteurs was setting out its stall in opposition to the Tradition of Quality and popular cinema more generally. By tracing how Becker came to occupy a unique position in post-war French film, it sheds light on the framing of popular, quality and auteur film in relation to key social, political and aesthetic discourses in play at this time. [ABSTRACT FROM AUTHOR] |
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| Items | – Name: Title Label: Title Group: Ti Data: The construction of 'Jacques Becker': realism, popular film and the auteur in 1950s film criticism. – Name: Author Label: Authors Group: Au Data: <searchLink fieldCode="AR" term="%22Leahy%2C+Sarah%22">Leahy, Sarah</searchLink><relatesTo>1</relatesTo> (AUTHOR)<i> sarah.leahy@newcastle.ac.uk</i> – Name: TitleSource Label: Source Group: Src Data: <searchLink fieldCode="JN" term="%22French+Screen+Studies%22">French Screen Studies</searchLink>. Feb-May2025, Vol. 25 Issue 1/2, p160-179. 20p. – Name: Subject Label: Subject Terms Group: Su Data: *<searchLink fieldCode="DE" term="%22FILM+criticism%22">FILM criticism</searchLink><br />*<searchLink fieldCode="DE" term="%22MOTION+picture+actors+%26+actresses%22">MOTION picture actors & actresses</searchLink><br />*<searchLink fieldCode="DE" term="%22REALISM%22">REALISM</searchLink><br />*<searchLink fieldCode="DE" term="%22AESTHETICS%22">AESTHETICS</searchLink><br />*<searchLink fieldCode="DE" term="%22DISCOURSE%22">DISCOURSE</searchLink> – Name: Abstract Label: Abstract Group: Ab Data: Jacques Becker is well known as an auteur, one of the few French directors working in the post-war period who has been hailed as an 'uncle' of the New Wave (alongside Robert Bresson, Max Ophuls, Jean-Pierre Melville and Jacques Tati). This article positions him in relation to the 'quality' and popular cinema of the period through an exploration of the critical discourses that coalesce around his films. Becker embraced an auteurist conception of cinema but operated in an industry that was dominated by a commercial, quality cinema of international co-productions, stars and films destined for export. Drawing on articles from both the specialist and general press, this article explores the construction of Becker as an auteur at the very moment when the politique des auteurs was setting out its stall in opposition to the Tradition of Quality and popular cinema more generally. By tracing how Becker came to occupy a unique position in post-war French film, it sheds light on the framing of popular, quality and auteur film in relation to key social, political and aesthetic discourses in play at this time. [ABSTRACT FROM AUTHOR] – Name: AbstractSuppliedCopyright Label: Group: Ab Data: <i>Copyright of French Screen Studies is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract.</i> (Copyright applies to all Abstracts.) |
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| RecordInfo | BibRecord: BibEntity: Identifiers: – Type: doi Value: 10.1080/26438941.2024.2330808 Languages: – Code: eng Text: English PhysicalDescription: Pagination: PageCount: 20 StartPage: 160 Subjects: – SubjectFull: FILM criticism Type: general – SubjectFull: MOTION picture actors & actresses Type: general – SubjectFull: REALISM Type: general – SubjectFull: AESTHETICS Type: general – SubjectFull: DISCOURSE Type: general Titles: – TitleFull: The construction of 'Jacques Becker': realism, popular film and the auteur in 1950s film criticism. Type: main BibRelationships: HasContributorRelationships: – PersonEntity: Name: NameFull: Leahy, Sarah IsPartOfRelationships: – BibEntity: Dates: – D: 01 M: 02 Text: Feb-May2025 Type: published Y: 2025 Identifiers: – Type: issn-print Value: 26438941 Numbering: – Type: volume Value: 25 – Type: issue Value: 1/2 Titles: – TitleFull: French Screen Studies Type: main |
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