DIE DREI ZIGEUNER: Liszt, Reményi és Hubay parafrázisa.

Bibliographic Details
Title: DIE DREI ZIGEUNER: Liszt, Reményi és Hubay parafrázisa.
Alternate Title: DIE DREI ZIGEUNER: A Paraphrase by Liszt, Reményi and Hubay.
Authors: László, Gombos1
Source: Magyar Zene. Feb2021, Vol. 59 Issue 1, p62-77. 16p.
Subject Terms: *SHEET music, *MUSIC scores, *MUSIC stores, *MUSIC libraries, *PIANO, *VIOLIN playing, *CONCERTS
People: LISZT, Franz, 1811-1886
Abstract: In preparation for the Liszt commemorations in Sopron in October 1929, Jenô Hubay was looking for a new piece, and among his sheet music he noticed a forgotten Liszt work: Die drei Zigeuner... Paraphrase für Violine und Pianoforte. The master wrote it in 1864 for Ede Reményi for violin and piano based on his own song of the same title. It was known by Hubay and his contemporaries that Reményi himself ('gypsy among virtuosos') never played the piece. It is strange that the violin transcription remained essentially unknown even after its publication in 1896 by Kahnt in Leipzig. It was not included in the concert repertoire, nor was its score in music shops and libraries (Hubay received a publisher's complimentary copy). Hubay saw the explanation in the fact that the violin part was not instrumental enough, which is why he, who had played and improvised with Liszt several times and was well-acquainted with Reményi's playing style, created a virtuoso 'concert version' from the piece. He orchestrated the accompaniment and had it published under the title Ungarische Rhapsodie by Universal Edition, dedicating the solo part to József Szigeti. The article seeks to answer how the song became a paraphrase and the paraphrase a rhapsody, a souvenir of the collaboration and mutual inspiration of three outstanding performers, these 'drei Zigeuner'. [ABSTRACT FROM AUTHOR]
Copyright of Magyar Zene is the property of Hungarian Musicological Society and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
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  Data: DIE DREI ZIGEUNER: Liszt, Reményi és Hubay parafrázisa.
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  Data: DIE DREI ZIGEUNER: A Paraphrase by Liszt, Reményi and Hubay.
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  Data: <searchLink fieldCode="PE" term="%22LISZT%2C+Franz%2C+1811-1886%22">LISZT, Franz, 1811-1886</searchLink>
– Name: Abstract
  Label: Abstract
  Group: Ab
  Data: In preparation for the Liszt commemorations in Sopron in October 1929, Jenô Hubay was looking for a new piece, and among his sheet music he noticed a forgotten Liszt work: Die drei Zigeuner... Paraphrase für Violine und Pianoforte. The master wrote it in 1864 for Ede Reményi for violin and piano based on his own song of the same title. It was known by Hubay and his contemporaries that Reményi himself ('gypsy among virtuosos') never played the piece. It is strange that the violin transcription remained essentially unknown even after its publication in 1896 by Kahnt in Leipzig. It was not included in the concert repertoire, nor was its score in music shops and libraries (Hubay received a publisher's complimentary copy). Hubay saw the explanation in the fact that the violin part was not instrumental enough, which is why he, who had played and improvised with Liszt several times and was well-acquainted with Reményi's playing style, created a virtuoso 'concert version' from the piece. He orchestrated the accompaniment and had it published under the title Ungarische Rhapsodie by Universal Edition, dedicating the solo part to József Szigeti. The article seeks to answer how the song became a paraphrase and the paraphrase a rhapsody, a souvenir of the collaboration and mutual inspiration of three outstanding performers, these 'drei Zigeuner'. [ABSTRACT FROM AUTHOR]
– Name: AbstractSuppliedCopyright
  Label:
  Group: Ab
  Data: <i>Copyright of Magyar Zene is the property of Hungarian Musicological Society and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract.</i> (Copyright applies to all Abstracts.)
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RecordInfo BibRecord:
  BibEntity:
    Languages:
      – Code: hun
        Text: Hungarian
    PhysicalDescription:
      Pagination:
        PageCount: 16
        StartPage: 62
    Subjects:
      – SubjectFull: LISZT, Franz, 1811-1886
        Type: general
      – SubjectFull: SHEET music
        Type: general
      – SubjectFull: MUSIC scores
        Type: general
      – SubjectFull: MUSIC stores
        Type: general
      – SubjectFull: MUSIC libraries
        Type: general
      – SubjectFull: PIANO
        Type: general
      – SubjectFull: VIOLIN playing
        Type: general
      – SubjectFull: CONCERTS
        Type: general
    Titles:
      – TitleFull: DIE DREI ZIGEUNER: Liszt, Reményi és Hubay parafrázisa.
        Type: main
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            NameFull: László, Gombos
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          Dates:
            – D: 01
              M: 02
              Text: Feb2021
              Type: published
              Y: 2021
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              Value: 59
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            – TitleFull: Magyar Zene
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